Britney Spears Oops I Did It Again Age
| Oops!... I Did It Again | ||||
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| Studio album by Britney Spears | ||||
| Released | May 3, 2000 (2000-05-03) | |||
| Recorded | 1999–2000 | |||
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| Length | 44:37 | |||
| Label | Jive | |||
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| Britney Spears chronology | ||||
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| Singles from Oops!... I Did It Again | ||||
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Oops!... I Did It Again is the second studio album past American singer Britney Spears released on May 3, 2000, through Jive Records. Though much in the vein of her debut album ...Baby I More Time (1999), it is a pop, dance-pop, and teen pop record, the anthology incorporates a more than funkier and R&B sounds. [one] Contributions to the album's production came from a wide range of producers, including Max Martin, Rami Yacoub, Per Magnusson, David Kreuger, Kristian Lundin, Jake Schulze, Darkchild, and Robert John "Mutt" Lange.[2]
Upon its release, Oops!... I Did Information technology Again received positive reviews from music critics, who praised its production, sonic quality and Spears' song functioning. The album became a massive commercial success, debuting at number one in over twenty countries while peaking inside the top five in various other. In the U.s., it debuted at number i on the Billboard 200, with starting time-week sales of 1.39 million copies, becoming the fastest selling album by a female creative person since Nielsen SoundScan began tracking point-of-auction music purchases in 1991.[3] This record was broken 15 years later by Adele'southward 25, which sold over 3.38 million copies in its get-go calendar week of release.[four] It became Spears' second consecutive anthology to be certified Diamond by the Recording Manufacture Association of America, denoting sales of over x meg copies in the United States, making Spears at age 18 the youngest creative person to take multiple diamond albums.[v] With worldwide sales of over 20 meg copies,[6] Oops!... I Did Information technology Once more is one of the best-selling albums of all-fourth dimension.
Four singles were released to promote the anthology. Its title track was commercially successful in a number of territories, reaching number one in 15 countries and peaking at number nine on the US Billboard Hot 100. Its second single, "Lucky", peaked at number one in Austria, Federal republic of germany, Sweden and Switzerland, within the top ten in Australia, Belgium, Canada, Denmark, Ireland, Italia, the netherlands, New Zealand, Norway, Poland, Romania and the United kingdom of great britain and northern ireland, and at number xx-three on the Usa Billboard Hot 100. Its tertiary unmarried, "Stronger", reached the top ten in Austria, Finland, Federal republic of germany, Poland, Romania, Sweden, Switzerland and the United Kingdom, and peaked at number eleven on the U.s. Billboard Hot 100. "Stronger" became the highest-selling single off the album, receiving a Gilt certification in Commonwealth of australia, Denmark, Germany, New Zealand, Sweden, and the United States. Its terminal single, "Don't Permit Me Be the Terminal to Know", was moderately successful on the charts, peaking at number one in Romania, and within the top x in Austria, Poland, and Switzerland, but failed to chart on the Us Billboard Hot 100. To promote the album, Spears performed on several telly shows and laurels ceremonies, including a controversial functioning at the 2000 MTV Video Music Awards. She also was the host and musical guest for the get-go time on Saturday Nighttime Live. Furthermore, Spears embarked on a concert tour, entitled the Oops!... I Did Information technology Again Tour, starting on June xx, 2000 and catastrophe at the Stone in Rio festival on Jan 18, 2001.
Recording and production [edit]
"When I did the first album, I had merely turned xvi. I mean, when I await at the album cover, I'k similar, 'Oh, my lordy.' I know this next album's going to be totally unlike--especially the material. I just got finished recording the beginning six tracks in Sweden two months ago, and the material is then much more funkier and edgier. And, of grade, it's more mature considering I've grown equally a person too."
—Spears on the progression of her material for the album.[seven]
Afterwards vacationing for six days following the completion of the ...Baby I More Time Tour in September 1999,[8] Spears returned to New York City to brainstorm recording songs for her side by side album; the majority of the recording took identify in Nov. Information technology featured contributions from Max Martin, Eric Foster White, Diane Warren, Robert Lange, Steve Lunt, and Babyface.[9] The songs "Oops!... I Did It Once more", "Walk on By" (later covered by Gareth Gates), "What U Meet (Is What U Get)", and "Don't Become Knockin' on My Door" were the offset to exist recorded at Martin's Cheiron Studios in the first week of November; followed by "Stronger" and "Lucky", which were finalized (along with the championship track) in January 2000. Spears recorded "Don't Let Me Be the Last to Know" at Robert Lange's villa in Switzerland in December 1999; Lange produced the song.[10] "Where Are Yous Now" was an outtake from ...Infant One More than Time. "Daughter in the Mirror" and "Can't Make Yous Dear Me"'s instrumental track and melody were recorded in the autumn of 1999 in Sweden, with Spears recording the vocals in mid-January at Parc Studios in Orlando, Florida.[xi] [12] Spears returned to New York, linking up with producer Steve Lunt to record Diane Warren's "When Your Eyes Say It" at Battery Studios on Friday, Jan 28, 2000, which preceded her TRL appearance that day. "I Kiss from You lot" was also recorded at Battery Studios but was later finished at 3rd Flooring in New York City. Spears also recorded the last rails for the anthology "Dear Diary" which would afterwards be completed at Eastward Bay Recording in Tarrytown, New York and at Avatar Studios in New York City. Another vocal recorded during these sessions was "Heart". Her cover of "(I Can't Get No) Satisfaction" was recorded with Rodney Jerkins at Pacifique Recording Studios in Hollywood, California during Feb 24–26, 2000 after attending the 42nd Almanac Grammy Awards.[13] [14]
By January, the then-untitled album was halfway to completion; Spears had worked on it primarily in the U.s. and Sweden, and finalized material in New York City.[ix] She was heavily pressured later ...Baby One More than Fourth dimension 's huge commercial success, stating: "It'due south kind of difficult post-obit ten 1000000, I have to say. Only after listening to the new material and recording it, I'm really confident with information technology."[xv] Upon the release of Oops!...I Did It Again, Spears said: "I mean, of form there's some pressure", and added: "Merely in my opinion, [Oops!] is a lot ameliorate than the first album. It's edgier – it has more of an attitude. It'due south more me, and I think teenagers will relate to information technology more than." Geoff Mayfield, manager of Billboard charts, added that the decision to release Oops!... I Did Information technology Again less than a twelvemonth and a half after Spears' debut amounts to "very smart timing. My philosophy is when yous accept a young fan base of operations, get 'em while they're hot."[xvi]
Music and lyrics [edit]
Oops!... I Did It Once more was considered as a sequel to Spears' debut anthology, ...Infant 1 More Time (1999),[one] percolating with a carefully measured blend of familiar popular, funk, R&B and power balladry.[17] Spears said during an interview that the album has a more than mature, R&B-flavored pop audio. "It's not something I changed purposefully", Spears said of the album's sound and added: "Information technology'southward just something that kind of changed on itself with me being older. My voice has changed a petty bit and I'yard more confident, and I think that comes across on the cloth."[vii] I of its producers, Rodney "Darkchild" Jerkins talked about working with Spears on a Rolling Stones cover, stating: "It'due south going to shock everybody", adding: "It has flavors of the original, but information technology's a straight 2000 version — new to the ear. Which I retrieve is cool, because people who appreciate that song are going to dear information technology. And I made it then new and young that the young kids that beloved Britney are going to dearest it. It's going to grab both a mature and young audience."[18] Spears worked with Robert "Mutt" Lange on "Don't Let Me Exist the Terminal to Know", telling MTV News: "When yous hear the song, it'southward so pure and delicate. It's just one of those songs that pull you lot in", and added: "I remember they wrote it 'especially for me, considering the lyrics of the song, if you really listen … they're more of what I can relate to, 'cause they're kind of young lyrics, I recollect. I don't remember Shania would probably sing some of the words that I'm saying."[18]
The title track and opening song, "Oops!... I Did Information technology Once again", was compared to her debut single, "...Baby 1 More Time" (1998), featuring a slap-and-pop bassline, synthesizer chord stabs and a mechanized beat. Lyrically, the song sees Spears warning to an overeager prospective lover: "Oops, you lot think I'm in love/That I'm sent from above — I'k non that innocent."[19] The song besides breaks down for a spoken-give-and-take interlude, involving a line from the motion picture Titanic (1997).[xix] The second rails "Stronger" is a synthpop[20] and R&B-infused track,[18] which is lyrically a declaration of independence, where Spears leaves a partner who treats her like holding.[21] The line "my loneliness ain't killing me no more" makes reference to the poesy "my loneliness is killing me" from her song "...Baby One More than Time".[xviii] Another R&B-infused rail, which also adds a bit more funk to the mix,[18] "Don't Go Knocking on My Door" finds Spears confidently forging ahead after a breakup.[21] The fourth track, a embrace of the Rolling Stones' "(I Can't Get No) Satisfaction", begins with mushy guitar plucking and blatant coos, until a dry, crackling lockstep is thrown downwardly, turning the song into an urban stomp.[22] The dance-pop version besides jettisons the vocal'southward terminal verse and adds some new lyrics[18] ("how white my shirts could be" becomes "how tight my skirt should be").[23] "[It] was my idea [to record the song]", Spears said. "I was just like, 'I similar this song,' and I think it will be a actually cool combination working with [hip-hop producer] Rodney [Jerkins] and doing a actually funky song like that."[24] The fifth rail, "Don't Let Me Be the Last to Know", was co-written by country-popular vocalist-songwriter Shania Twain and her and so-hubby, producer Robert "Mutt" Lange, who too produced the rail.[18] The ballad, which boasts a slinky keyboard riff and Lange's characteristically lavish product, finds Spears assuasive a bit of state twang into her vocals as she begs a lover to reveal his feelings: "My friends say you lot're into me ... but I need to hear it straight from you", she sings.[18]
The sixth runway "What U Run into (Is What U Get)" demands respect by rebuking a jealous partner,[21] while the 7th runway, "Lucky", is a heart-rending tale of a Hollywood starlet's loneliness, proving that fame can be empty.[21] "If there's nothing missing in my life/Then why exercise these tears come at night?", she asks.[twenty] "School trounce" is the theme of "One Kiss from You",[21] a rail that has a reggae-manner beat and lyrics about the feelings of falling in love, and the quickness of information technology,[25] with Spears cooing that after only one kiss she sees her unabridged future with her lover.[26] The ballad "Where Are Y'all Now" talks about wanting to know where a previous love is, and what that person is up to, so that she can finally let them go and discover closure.[ citation needed ] Lines on "Can't Brand You lot Love Me", a Europop song,[22] state that fancy cars and money pale in comparison to true love,[21] with Spears singing: "I'g only a girl with a crush on you."[22] The mid-tempo, synth-backed "When Your Eyes Say It", written by songwriter Diane Warren, combines a cord department with a loping hip hop beat,[18] while Spears makes her ain songwriting debut on the modest, keyboard-driven carol "Dear Diary", which she said is autobiographical. On the track, she sings of wanting to become "so much more than friends" with a boy.[xviii]
Release and promotion [edit]
In late 1999, Spears promoted her upcoming album in Europe with live performances of her past songs. She appeared on Blast Hits in the Britain.[27] In Italy, she did a brusque interview on the television show TRL Italy in early 2000.[27] and gave a surprise functioning in Paris in May 2000.[28] In Australia, Spears appeared on The House of Hits and Russell Gilbert Alive on May 13.[27] In Kingdom of spain, she gave an interview with El Rayo on September viii and October 24.[27] Spears performed at large venues in the United Kingdom, including Birmingham, the Wembley Arena in London, and the Manchester Evening News Loonshit. She was accompanied past NSYNC, who toured with her during a curt United Kingdom outing in October 2000.[28]
Oops!... I Did Information technology Once again was showtime released in Japan on May iii, 2000, and was after released in the Us on May 16. In the United states of america, Spears appeared on Sat Night Live on May thirteen, The Rosie O'Donnell Show on May 15, and Teen People'due south 25 Under 25 on May 26.[29] On May 10, she was interviewed on Belatedly Nighttime with Conan O'Brien.[27] On May 13, Spears was both the host and musical guest on NBC'southward Saturday Dark Live. She besides performed on NBC's The This night Show with Jay Leno on May 23.[thirty] Spears' held her post-TRL listening party, "Britney's Kickoff Listen", on May 16, and was toast the arrival of her anthology on next Tuesday's installment of TRL that started at 3:30 p.m. (ET).[31] On May 14, she was at Times Square studios for two hours of "Britney Live" that started at noon.[31] Spears performed "Oops!... I Did Information technology Over again" on MTV'south All Access: Backstage with Britney that was circulate on July nineteen, 2000.[27] On September 7, at the 2000 MTV Video Music Awards in New York City at the Radio City Music Hall, Spears gave a memorable live performance.[32] which included a cover of the Rolling Stones'due south hit single "(I Can't Get No) Satisfaction" (1965) and her own striking "Oops!... I Did It Again", released before that year. While she began her segment in a blackness suit, she shocked the audition and the media while, at only the age of eighteen, ripped information technology off to display a revealing, mankind-colored stage outfit with hundreds of strategically placed Swarovski crystals.[33] 1 calendar month before the release of the anthology, Spears headed to Hawaii on Easter Dominicus and so she could tape a Fox television set special titled Britney Spears in Hawaii. The complimentary concert was held on the beach in forepart of the Hilton Hawaiian Village lagoon in Honolulu, Hawaii.[34] The Pull a fast one on concert event was intended to serve equally a preview of Spears' Oops!... I Did It Again album that features her twelve new songs.[34] Spears had on a month-long international promotional tour in support of Oops!... I Did It Again, and on May two, she had a printing event at Kokusai Forum Hall in Tokyo, and fabricated stops in both London and Hawaii.[35] Spears was also amidst the scheduled performers on the 42nd Annual Grammy Awards, which aired on CBS at viii p.yard. (ET/PT).[36] She was also expected to appear on a Grammy-solar day TRL.[36]
The album's supporting bout, the Oops!... I Did Information technology Once more Tour, visited Northward America, Europe, and Brazil every bit office of Rock in Rio. On the Crazy 2k Tour, Spears introduced the songs "Oops!... I Did It Again" and "Don't Allow Me Exist the Last to Know". On June 24, 2000, Spears was featured in a print and television advertising campaign for Clairol's Herbal Essences shampoo line. In a special insurrection for Clairol, Spears recorded her own song for the make called "I've Got the Urge to Herbal" that was featured in lx-2nd radio spots and was part of a pre-concert video presentation for Spears'due south fifty-metropolis summer concert tour, in which Herbal Essences was the tour sponsor.
Singles [edit]
"Oops!... I Did It Again" was released as the lead unmarried from the album and achieved worldwide popularity. Information technology became Spears'southward tertiary pinnacle-ten striking single on the US Billboard Hot 100, peaking at number 9; however, in comparison to the huge success of her debut single "...Baby One More Time", Jive Records considered "Oops!... I Did It Again" a small disappointment.[38] The song peaked at number one on the Us Mainstream Top xl,[39] holding the record for the most radio additions in one day. "Oops!... I Did It Again" peaked atop the charts in Australia, Belgium, Canada, Italy, holland, New Zealand, Kingdom of norway, Poland, Romania, Spain, Sweden, Switzerland and the United Kingdom.[40] An accompanying music video for "Oops!... I Did It Once again" saw Spears on Mars in now-iconic reddish shiny catsuit, while she is visited by an American astronaut who hands her the fictional Heart of the Ocean jewel which Rose threw into the ocean at the end of Titanic.[41]
The album'south second single, "Lucky", was released on July 24, 2000 and received positive response from the music critics, who considered one of her best offerings from the anthology. Commercially, "Lucky" topped the charts in Austria, Federal republic of germany, Sweden and Switzerland, while reaching number 5 on the Uk Singles Nautical chart.[42] In the United states of america, "Lucky" simply managed to tiptop at number twenty-three on the Billboard Hot 100 chart and at number 9 on the Mainstream Top xl.[38] The "glittery" music video sees Spears as the narrator and an actress named Lucky, who is a melancholy picture show star and shows her conflicted relationship to fame.[43]
The 3rd single, "Stronger", was released on October 30, 2000 and became the album'south second highest-charting single in the United States, peaking at number eleven on the Billboard Hot 100 and number one on the Hot Single Sales.[38] It reached number seven on the Great britain Singles Chart.[44] Its music video sees Spears catching her boyfriend adulterous on her at a futuristic turntable nightclub, driving off, getting in a wreck and singing in the rain,[43] while the chair sequence in the video was inspired by Janet Jackson's video for "The Pleasure Principle".[45]
The fourth and final single, "Don't Let Me Exist the Terminal to Know", was released on March 5, 2001 and is one of Spears' favorite tracks of her career. In the United States, the song performed well beneath expectations, declining to chart on the Billboard Hot 100 nor the Mainstream Top xl. Nevertheless, the vocal attained success in Europe, topping the Romanian Meridian 100 and peaking inside the meridian ten in Austria, Poland and Switzerland, while just missing the tiptop ten in Germany, Ireland, Sweden and the U.k., peaking at number twelve in all of them.[46] The music video was considered likewise racy at the fourth dimension, portraying Spears in love scenes with her fictional swain, played past French model Brice Durand.[47]
"Y'all Got It All" received a promotional release in France in May 2000. A promotional CD unmarried for "When Your Optics Say It" was released in the United Kingdom in January 2001.[ commendation needed ]
Critical reception [edit]
| Aggregate scores | |
|---|---|
| Source | Rating |
| Metacritic | 72/100[49] |
| Review scores | |
| Source | Rating |
| AllMusic |   [1] |
| Billboard | favorable[17] |
| Christgau'south Consumer Guide |  [50] |
| Entertainment Weekly | B[22] |
| Los Angeles Daily News | [51] |
| MTV Asia | viii/x[52] |
| NME | 8/10[20] |
| Rolling Rock |  [23] |
| Salon | favorable[53] |
| Sonic.net | [54] |
Oops!... I Did It Again received favorable reviews from music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, Oops!... I Did It Again received an average score of 72, based on 12 reviews, indicating "by and large favorable reviews".[55] Giving the album four out of five stars, Stephen Thomas Erlewine of AllMusic noted that the anthology "has the aforementioned combination of sweetly sentimental ballads and endearingly gaudy dance-pop that made 'One More than Time'," only remarked that, "Fortunately, she and her product team not but have a stronger overall set of songs this time, but they as well occasionally become carried abroad with the same bewildering magpie aesthetic, [...] giv[ing] the album character apart from the well-crafted dance-pop and ballads that serve equally its heart. In the end, it's what makes this an entertaining, satisfying mind."[1] Billboard magazine wrote that "'Oops!...' indicates that she's developing a soulful border and emotional depth that tin can't be conjured with a glass-shattering annotation," praising the album for consistently bandage[ing] Spears as a young woman coming to terms with her inner power—and that's a darn good bulletin to offering an impressionable audience."[17] Amusement Weekly's David Browne gave the album a B-rating, writing that the album "reminds us once again that the best new pop tin be a blast of cool air in a stifling room."[22]
Rob Sheffield of Rolling Stone gave the album a three-and-a-half out of v stars rating, calling the album "fantastic pop cheese, with much better song-factory hooks than 'Due north Sync or BSB get", likewise noting that "the great thing about Oops!, under the cheese surface, is circuitous, fierce and downright scary, making her a truthful child of rock & roll tradition."[23] A author of NME reported that "she's modernistic-24-hour interval pop perfection realised in a nearly, human form", commenting that "she'due south done it again."[xx] Lennat Mak of MTV Asia named information technology "a brilliant 2d anthology", writing that Spears "is armed with a more than mature and seasoned popular star expect, stronger and poppier songs, and of course, extensive media exposure."[52] Andy Battaglia of Salon chosen the anthology "a masterpiece of sorts not for its message but for the way it applies the conventions of the popular-musical medium."[53] Website The A.5. Guild was more mixed, calling it "a joyless flake of redundant, obvious, competent cheese, recycling itself at every turn and soliciting songwriting from such soulless hacks as Diane Warren and contrasted Swedes."[56]
Accolades [edit]
Commercial performance [edit]
In the U.s., Oops!... I Did It Again reportedly sold 500,000 copies in its first twenty-four hour period of release.[62] Information technology debuted at number i on the Billboard 200 chart, with first-calendar week sales of 1,319,193 copies.[63] [64] [65] With its success, Spears held the tape for the highest first-week sales by a female artist.[66] This record was held for fifteen years, only to be surpassed in November 2015 by the album 25 past Adele, which sold over iii.38 one thousand thousand albums in the Usa in its first week.[4] The album fell to number two in its 2nd week, with additional sales of 612,000 copies.[67] It held this position for fifteen consecutive weeks.[68] [69] Past its fifth week of availability, Oops!... I Did It Again had sold over 3 million copies and had passed v one thousand thousand copies by August.[70] On its seventeenth week on the chart,[71] information technology was certified septuple Platinum past the Recording Industry Association of America (RIAA) for shipments of seven million units.[72] [73] The anthology spent eighty-iv weeks on the Billboard 200, thirty-one weeks on the Canadian Albums Chart, and two weeks on the US Catalog Albums.[74] Oops!... I Did It Again debuted at number eighty-two on the European Top 100 Albums, and rapidly peaked at number one;[75] it sold over 4 million copies inside the continent, existence certified four-times Platinum past the International Federation of the Phonographic Industry.[76] Oops!... I Did Information technology Again reached number two on the UK Albums Nautical chart,[xl] selling 88,000 copies in the beginning calendar week of release; information technology remained in the top five for 4 weeks. The anthology debuted at number one in Canada, selling 95,275 copies in its get-go week.[77]
It topped the French Albums Chart[78] and the German Offizielle Height 100, as well being certified triple Platinum by the British Phonographic Manufacture (BPI),[79] double Gold past the Syndicat National de l'Édition Phonographique (SNEP)[80] and triple Platinum past Bundesverband Musikindustrie (BVMI),[81] denoting shipments to retailers of 900,000 units, 200,000 copies sold and 900,000 units shipped, respectively. Additionally, the anthology debuted at number 2 on the Australian Albums Chart, and spent ten weeks in the tiptop twenty;[82] it became the fourteenth highest-selling of 2000 in the land and was certified double Platinum by the Australian Recording Industry Clan (ARIA) the post-obit yr after shipping 140,000 copies to retailers.[83] [84] Oops!... I Did Information technology Again opened at number three on the New Zealand Albums Chart and was certified Aureate afterwards just one week on the chart.[85] The Recording Industry Association of New Zealand (RIANZ) ultimately certified it double Platinum.[86] Oops!... I Did Information technology Again became the third best-selling anthology of 2000 in the The states, selling 7,893,544 albums according to Nielsen SoundScan[87] and 4th best-selling anthology according to Billboard Twelvemonth-Cease of 2000.[88] On January 24, 2005, the album was certified decuple Platinum (Diamond) past the Recording Manufacture Clan of America (RIAA).[89] [90] As well, the anthology landed at number xx-seven on BMG Music Guild all-fourth dimension best-sellers list with i.21 million units, backside Shania Twain's The Adult female in Me (1.24 million) and Nirvana's Nevermind (1.24 million).[91] As of July 2009, the album has sold nine,184,000 copies in the The states, excluded copies sold through clubs, such equally the BMG Music Service.[92] Worldwide, Oops!... I Did It Again sold 2.5 million copies in its first week (second highest start calendar week sales by a female artist worldwide) and sold 15 million copies by the end of the twelvemonth. It was the best-selling female anthology and third best selling album of 2000. The album has sold xx meg copies worldwide.[half-dozen]
Controversy [edit]
Musicians Michael Cottril and Lawrence Wnukowski filed a copyright instance against Spears, Zomba Recording Corporation, Jive Records, Wright Entertainment Group and BMG Music Publishing, claiming Spears' "What U See (Is What U Get)" and "Can't Make You Dearest Me" are "virtually identical" to one of their songs. Cottrill and Wnukowski claimed that they authored, recorded and copyrighted a vocal called "What You See Is What You Get" in 1999 to one of Spears' representatives for consideration on a hereafter anthology, though it was rejected.[93] The case was afterward dismissed after it was ruled that they lacked sufficient evidence and that there "weren't plenty similarities between the two songs to bear witness copyright infringement."[94]
Rail listing [edit]
| No. | Title | Author(due south) | Producer(s) | Length |
|---|---|---|---|---|
| i. | "Oops!... I Did It Again" |
|
| 3:31 |
| ii. | "Stronger" |
|
| three:23 |
| iii. | "Don't Go Knockin' on My Door" |
|
| 3:43 |
| 4. | "(I Can't Get No) Satisfaction" |
| Rodney Jerkins | 4:23 |
| 5. | "Don't Let Me Be the Last to Know" |
| Lange | three:50 |
| 6. | "What U See (Is What U Go)" |
|
| iii:36 |
| 7. | "Lucky" |
|
| 3:26 |
| 8. | "I Kiss from You" | Steve Lunt |
| 3:23 |
| 9. | "Where Are Y'all At present" |
|
| 4:39 |
| x. | "Can't Brand You lot Love Me" |
|
| three:17 |
| 11. | "When Your Optics Say It" | Diane Warren |
| iv:29 |
| 12. | "Dear Diary" |
|
| 2:46 |
| Total length: | 44:37 | |||
| No. | Championship | Author(due south) | Producer(s) | Length |
|---|---|---|---|---|
| 12. | "Girl in the Mirror" | Elofsson |
| 4:06 |
| 13. | "Dear Diary" |
|
| 2:46 |
| Total length: | 48:24 | |||
| No. | Title | Writer(s) | Producer(s) | Length |
|---|---|---|---|---|
| 11. | "When Your Eyes Say It" | Warren |
| 4:06 |
| 12. | "Daughter in the Mirror" | Elofsson |
| 3:36 |
| xiii. | "You lot Got It All" | Rupert Holmes | Eric Foster White | 4:43 |
| 14. | "Dear Diary" |
|
| two:46 |
| Total length: | 52:33 | |||
| No. | Title | Writer(s) | Producer(due south) | Length |
|---|---|---|---|---|
| 11. | "When Your Eyes Say It" | Warren |
| 4:06 |
| 12. | "Girl in the Mirror" | Elofsson |
| iii:36 |
| 13. | "You Got It All" | Holmes | White | 4:10 |
| 14. | "Middle" |
|
| iii:31 |
| xv. | "Love Diary" |
|
| 2:46 |
| Total length: | 55:34 | |||
| No. | Championship | Length |
|---|---|---|
| 1. | "Don't Allow Me Be the Terminal to Know" (Album version) | 3:50 |
| 2. | "Don't Let Me Be the Last to Know" (Hex Hector Radio Mix) | 4:01 |
| 3. | "Don't Allow Me Exist the Last to Know" (Hex Hector Club Mix) | ten:12 |
| 4. | "Stronger" (MacQuayle Mix Bear witness Edit) | five:21 |
| 5. | "Stronger" (Pablo La Rosa's Tranceformation) | 7:21 |
| 6. | "Oops!... I Did Information technology Again" (Music video) | 4:11 |
| 7. | "Lucky" (Music video) | four:07 |
| 8. | "Stronger" (Music video) | three:37 |
| 9. | "Don't Let Me Be the Last to Know" (Music video) | 3:51 |
| Total length: | 30:52 | |
| No. | Championship | Length |
|---|---|---|
| ane. | "Oops!... I Did It Again" (Music video) | iv:xx |
| 2. | "Lucky" (Music video) | 4:14 |
| 3. | "Stronger" (Music video) | 3:47 |
| 4. | "Oops!... I Did It Again" (Karaoke) | iv:17 |
| v. | "Lucky" (Karaoke) | 4:xviii |
| six. | "Stronger" (Karaoke) | 3:46 |
| Total length: | 25:25 | |
Notes
- Runway 4, "(I Can't Get No) Satisfaction" is a encompass of the 1965 Rolling Stones single.
- ^a signifies a vocal producer
Personnel [edit]
Credits adjusted from AllMusic.[102]
- Britney Spears – vocals, background vocals, spoken words, concept
- Steve Lunt - A&R, composer, producer, cord arrangements
- Jeanne LeBlanc – cello
- Jesse Levy – cello
- Kermit Moore – cello
- Eugene J. Moye – cello
- Harvey Stonemason, Sr. – editing
- Bobby Brown – assistant engineer
- Flip Osman – banana engineer
- Clayton Forest – assistant engineer
- Anthony Ruotolo – assistant engineer
- Alfred Bosco – banana engineer
- Shane Stoneback – assistant engineer
- Charles McCrorey – engineer, assistant engineer
- Michel Gallone – engineer, mixing engineer
- Chris Trevett – engineer, vocal engineer, mixing engineer
- Eric Gast – engineer
- Tim Donovan – engineer
- Harvey Bricklayer, Jr. – engineer
- Dan Gellert – engineer
- John Amatiello – engineer
- Stephen George – mixing engineer
- Dexter Simmons – mixing engineer
- Chris Tergesen – string engineer
- Michael Tucker – song engineer
- Jackie Tater – fine art direction, design
- Marking Seliger – back cover, embrace photograph
- Larry "Rock" Campbell – bass, guitar, producer, drum programming
- Marji Danilow, Judith Sugarman, Thomas Lindberg – bass
- Esbjörn Öhrwall – guitar
- Johan Carlberg – guitar
- Michael Thompson – guitar
- Kali – hair stylist
- Gloria Agostini – harp
- Max Martin – keyboards, programming, producer, mixing engineer, spoken word
- Robert "Esmail" Jazayeri – keyboards, producer, pulsate programming
- Per Magnusson – keyboards, programming, producer, mixing engineer
- Jake – keyboards, programming, producer, mixing engineer
- Kristian Lundin – keyboards, programming, producer, mixing engineer
- Rami – keyboards, programming, producer, mixing engineer
- David Kreuger – keyboards, programming, producer, mixing engineer
- Kent Wood – keyboards
- Elan Bongiorno – make-up
- Johnny Wright – direction
- Tom Coyne – mastering
- Nigel Green – mixing
- Jon Ragel – photography
- Barry Eastmond – piano, conductor, keyboards, producer, engineer, orchestral arrangements
- Rodney Jerkins – producer, engineer, vocal system, mixing engineer
- Robert John – producer
- Timmy Allen – producer
- Richard Meyer aka Swayd – programming
- Cory Churko – programming
- Kevin Churko – programming
- William Meade – cord coordinator
- Hayley Hill – stylist
- Alfred V. Brown – viola, orchestra contractor
- Julien Barber – viola
- Olivia Koppell – viola
- Harry Zaratzian – viola
- Maxine Roach – viola
- Stephanie Baer – viola
- Richard Henrickson – violin, concertmaster
- Sanford Allen – violin
- Belinda Whitney-Barratt – violin
- Sandra Billingslea – violin
- Winterton Garvey – violin
- Gerald Tarack – violin
- Joyce Hammann – violin
- Stanley Hunte – violin
- Regis Iandiorio – violin
- Cistron Orloff – violin
- Marion Pinhiero – violin
- Marti Sweet – violin
- Amahid Ajemian – violin
- Xin Zhao – violin
- Margaret Magill – violin
- Ashley Horne – violin
- Nikki Gregoroff – groundwork vocals
- Audrey Martells – groundwork vocals
- Nana Hedin – groundwork vocals
- Darryl Anthony – background vocals
- Nora Payne – background vocals
- Jeanette Söderholm – groundwork vocals
- Therese Ancker – background vocals
- Charlotte Björkman – background vocals
- Andres Von Hofsten – background vocals
- Nina Woodford – background vocals
- Mona Yacoub – background vocals
- Jeanette Olsson – groundwork vocals
- Stephanie Baer – groundwork vocals
Charts [edit]
Weekly charts [edit]
| Year-end charts [edit]
Decade-end charts [edit]
All-fourth dimension charts [edit]
|
Certifications and sales [edit]
Release history [edit]
Run across also [edit]
- Listing of best-selling albums
- List of best-selling albums by women
- List of best-selling albums in the United States
- Listing of fastest-selling albums
Notes [edit]
- ^ As of December 2010, Oops!...I Did It Once more has sold 9,201,000 copies in the United states of america according to Nielsen SoundScan,[185] with additional one,210,000 copies sold at BMG Music Clubs.[91] Nielsen SoundScan does not count copies sold through clubs similar the BMG Music Service, which were significantly popular in the 1990s.[92]
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- ^ Trust, Gary (May 27, 2012). "Ask Billboard: Spears, Lovato's '10'-cellent Sales". Billboard . Retrieved May 27, 2012.
- ^ "American album certifications – Britney Spears – Oops". Recording Industry Association of America.
- ^ "Premios – 2000" (in Spanish). Cámara Uruguaya del Disco.
- ^ "IFPI Platinum Europe Awards – 2001". International Federation of the Phonographic Manufacture.
- ^ Amazon.co.jp: ブリトニー・スピアーズ, クリスチャン・ランディン, ダイアン・ウォーレン, ジョーゲン・エロフソン, ルパート・ホルメス, ジョージ・テレン, ジェイソン・ブルーム, マックス・マーティン, ラミ, ミック・ジャガー, シャナイア・トゥエイン : ウップス!アイ・ディド・イット・アゲイン - ミュージック
- ^ Oops!...I Did It Again - Britney Spears: Amazon.de: Musik
- ^ Oops .. I Did It Again!: Britney Spears: Amazon.ca: Music
- ^ Britney Spears, Britney Spears - Oops!... I Did It Again - Amazon.com Music
- ^ "Oops!... I Did Information technology Again (Special Uk Edition)". AllMusic. October 9, 2000. Retrieved August 31, 2021.
- ^ "Oops!... I Did It Over again [Nippon 2001 Bonus Tracks]". AllMusic. February thirteen, 2001. Retrieved August 31, 2021.
- ^ "Oops!...I Did It Again AUSTRALIA Special Edition w/Bonus Disc of Remixes And Videos". Record Runner USA . Retrieved August 31, 2021.
- ^ "Britney Spears – Oops!...I Did It Over again Limited LP". Urban Outfitters . Retrieved March 31, 2019.
- ^ "Britney Spears – Oops!...I Did It Over again Limited LP". Urban Outfitters . Retrieved March 31, 2019.
- ^ "Britney Spears – Oops!...I Did It Again Express Cassette". Urban Outfitters . Retrieved March 31, 2019.
- ^ "Britney Spears – Oops!...I Did It Once again 20th ceremony edition pic vinyl". BritneySpears. Archived from the original on May 25, 2020. Retrieved March 31, 2019.
Bibliography [edit]
- Salaverri, Fernando (2005). Sólo éxitos. Año a año. 1959-2002 [Simply Hits. Year past year. 1959-2002] (in Castilian). Madrid, Spain: Iberautor Promociones Culturales. p. 943. ISBN9788480486392.
External links [edit]
- Official website
Source: https://en.wikipedia.org/wiki/Oops!..._I_Did_It_Again_(album)
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