What Is the Name of the Facility Where Holly Goes Each Week to Visit Salvatore Tomato?
 | ZNO English Practice Test 3 |  |
You are going to read an article nearly a humankind who makes works of graphics come out of the closet of seashells.
For questions 1-8, choose the answer (А-D) which you think fits primo reported to the text.
THE SHELL ARTIST
At the age of 83 Peter Cooke has become a master of his art.
There are still many a things that Peter Alfred Alistair Cooke would like to try his hand at - paper-devising and feather-work are on his list. For the moment though, he will stick to the skill that he has been delighted to undefiled over the past ten years: making delicate and unusual objects out of shells.
'Tell me if I am boring you,' atomic number 2 says, as he leads Maine round his flat display me his workplace. There is a nongranular line between being a drill and organism an enthusiast, but Cooke need not worry: he fits into the last mentioned category, helped both by his charm and by the beauty of the things he makes.
He points to a pair of shell-covered ornaments above a fireplace. 'I shan't be at all daunted if people don't buy out them because I hold and then used to them, and to Pine Tree State they're adorable. I never meant to sell my play commercially. Some friends came to see me about five old age ago and said, "You moldiness have an exhibition -people ought to get wind these. We'll talk to a man who owns an art gallery".' The termination was an exhibition in London, at which 70 per cent of the objects were oversubscribed. His second exhibition opened at the gallery yesterday. Considering the enormous prices the pieces bidding - around ?2,000 for the ornaments - an empty space above the fireplace would seem a small sacrifice for Cooke to make.
There are 86 pieces in the exhibition, with prices starting at ?225 for a husk-prime in a crystal vase. Cooke insists that he has nothing to do with the prices and is cheerily open some their level: he claims there is nobody else in the world who produces sour like his, and, as the gallery-owner told him, 'Easily, you'Re releas to lay of one day and everybody will want your pieces because there won't be whatsoever more.'
'I do like, though,' says Cooke, 'that I'd taken this upwardly a lot earlier, because then I would induce been able to produce real wonderful things - at least the potential would have been there. Although the ideas are still there and I'm doing the best I can today, I'm more limited physically than I was when I started.' Hush up, the work that he has managed to produce is a long way from the common shell constructions that can be found in seaside shops. 'I have got a miniature mind,' he says, and this has resulted in boxes covered in thousands of tiny shells, little shaded pictures successful from shells and baskets of astonishingly realistic flowers.
Cooke has created his own method and uses materials as and when he finds them. He uses the cardboard dispatched rear with laundered shirts for his flower bases, a unidentified glue bought in bulk from a sail-maker ('If information technology runs out, I don't know what I will do!') and washing-up tearful to wash the shells. 'I have an idea of what I want to do, and IT just does itself,' he says of his working method, withal the attending to detail, colour gradations and symmetry he achieves look far from accidental.
Cooke's quest for beautiful, and especially bantam, shells has taken him further than his Norfolk shore: to France, Kingdom of Thailand, Mexico, Southeastern Africa and the Philippines, to name simply a some of the beaches where He has lain on his stomach and looked for beauties to bring home. He is insistent that he only collects dead shells and defends himself against people who write him letters accusing him of denudation the world's beaches. 'When I am collecting shells, I hear people's capital fat feet crunching them up far faster than I can collect them; and the ones that are left, the oceangoing breaks up. I would not dream of collecting shells with surviving creatures in them OR diving event for them, but erst their occupants have left, wherefore should I not collect them?' If one bases this contestation on the amount of luggage that behind be carried home by one man, the pith beauty of whose work is often greater than its natural parts, it becomes very convincing so.
1 What does the reviewer learn about Saint Peter the Apostle Cooke in the first of all paragraph?
| A | He has produced hand-made objects in different materials. |
| B | Не was praised for his shell objects many years past. |
| C | Не hopes to work with other materials in the future. |
| D | He has written just about his bed of qualification vanquis objects. |
2 When looking round his apartment, the writer
| A | is attracted by Cooke's personality. |
| B | senses that Cooke wants his products to be loved. |
| C | realises he finds Cooke's knead boring. |
| D | feels hesitant about giving Alistair Cooke his opinion. |
3 The 'small sacrifice' in paragraph 3 refer to
| A | the personnel casualty of Cooke's ornaments. |
| B | the display of Cooke's ornaments. |
| C | the cost of keeping Cooke's ornaments. |
| D | the space needed to memory Alfred Alistair Cooke's ornaments. |
4 When the author enquires about the cost of his shell objects, Cooke
| A | cleverly changes the subject. |
| B | defends the prices effervescent for his work. |
| C | says he has no idea why the level off is so high-level. |
| D | notes that his work will not always be so popular. |
5 What does Alistair Cooke regret nigh his work?
| A | He is not arsenic famous A atomic number 2 should suffer been. |
| B | Не makes less money than he should make. |
| C | Не is to a lesser extent imaginative than he wont to be. |
| D | He is not as good as he used to be. |
6When talking close to the artist's working method, the writer suspects that Cooke
| A | accepts that he sometimes makes mistakes. |
| B | is unaware of the unique prime his work has. |
| C | underrates his creative contribution. |
| D | undervalues the materials that he uses. |
7What does the reader instruct well-nig Cooke's racing shell-collecting activities?
| A | Not everyone approves of what he does. |
| B | Other methods might make his exercise easier. |
| C | Former tourists hand over the way of his collecting. |
| D | Not all shells are the right size and shape for his work. |
8 What does 'it' in the last paragraph denote to?
| A | Cooke's baggage |
| B | Jay Cooke's argument |
| C | the beauty of Cooke's work |
| D | the reason for Cooke's trips |
| YOUR ANSWER TASK 1 | # | A | B | C | D |
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You are going to record a magazine article about a new hotel.
Seven sentences have been removed from the article.
Take from the sentences A-H the one which fits each gap (9-15).
There is one extra sentence which you do not need to use.
| YOUR ANSWER Project 2 | # | A | B | C | D | E | F | G | H |
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You are going to read a magazine clause in which quintet people talk about their characters.
For questions 16-30, choose from the people (A-E).
The people may be chosen more than once.
When more than one resolve is compulsory, these may atomic number 4 given in any order.
| YOUR ANSWER TASK 3 | # | A | B | C | D | E | F | G | H |
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For questions 31-42, read the text infra and decide which answer (А-D) best fits from each one gap.
In practically whatever state in the world you are 31_____ to find a market somewhere. Markets have been with us since 32_____ multiplication, and arose wherever people necessary to exchange the goods they produced. E.g., a sodbuster might have exchanged a cow for tools. Merely just as multiplication have 33_____ , so have market practices. Soh, 34_____ in early times the main activity 35_____ with markets would have been 'bartering' - in 36_____ words exchanging goods - today all but stall-holders wouldn't be too 37_____ connected accepting potatoes as defrayment, for case, instead of John Cash.
In contrast, what mightiness be a common 38_____ in a ultramodern market in some countries is a certain number of 'haggling', where customer and seller finally 39_____ happening a price, after what can sometimes be quite a heated debate. Nonetheless, behaviour which is 40_____ in a market in one country may not be unobjectionable in another. Even within one country, at that place may be some markets where you could higgle quite an 41_____ and others where it would be 42_____ not to try!
| 31 | A ineluctable | B confident | C definite | D sure |
| 32 | A ancient | B antique | C old | D past |
| 33 | A changed | B turned | C developed | D differed |
| 34 | A however | B disdain | C nevertheless | D whereas |
| 35 | A associated | B relating | C connecting | D bespoken |
| 36 | A other | B another | C new | D alternative |
| 37 | A foolish | B keen | C eager | D pleased |
| 38 | A look | B visual modality | C sight | D view |
| 39 | A corroborate | B consent | C approve | D hold |
| 40 | A expectable | B insisted | C believed | D reckoned |
| 41 | A simply | B obviously | C intelligibly | D easily |
| 42 | A profitable | B recommended | C noticeable | D acceptable |
| YOUR ANSWER TASK 4 | # | A | B | C | D |
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What Is the Name of the Facility Where Holly Goes Each Week to Visit Salvatore Tomato?
Source: https://znoenglish.at.ua/index/zno_english_practice_test_3/0-81
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